International Conference on Cinema, Memory, and Trauma Studies

ICCMYTS

11th Feb – 12th Feb 2027 Darkhan, Mongolia

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Registration Summary

Conference ICCMYTS

Date 11th Feb – 12th Feb 2027

Location Darkhan, Mongolia

Participation Type Listener

Organizer Science Leagues

Registration Mode Standard / Physical

Registration Fee USD 0.00

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Conference Session Tracks

Aligned with UN Sustainable Development Goals

The conference's session tracks effectively support the following SDGs.

01 Cinematic Representations of Memory +

This track explores how films depict personal and collective memories, examining the narrative techniques employed to evoke emotional responses. Scholars are invited to analyze the interplay between visual storytelling and memory construction in various cinematic contexts.

SDG 4 SDG 11

02 Trauma and Its Cinematic Reflections +

This session focuses on the representation of trauma in film, investigating how filmmakers portray psychological impacts on individuals and communities. Contributions may include analyses of specific films or genres that address trauma through innovative narrative strategies.

SDG 3 SDG 16

03 Historical Narratives in Film +

This track examines the role of cinema in shaping historical memory and representation, considering how films interpret and reconstruct historical events. Papers should engage with the implications of these representations for contemporary understandings of history.

SDG 4 SDG 11

04 Visual Storytelling and Audience Engagement +

This session investigates the relationship between visual storytelling techniques and audience reception, focusing on how cinematic elements influence viewer interpretation of memory and trauma. Researchers are encouraged to explore case studies that highlight this dynamic.

SDG 4 SDG 10

05 Cultural Memory and Film +

This track delves into the concept of cultural memory as represented in cinema, analyzing how films contribute to collective identity and societal narratives. Contributions may include discussions on the role of film in preserving or challenging cultural memories.

SDG 4 SDG 11

06 Documentary Film as a Medium of Memory +

This session focuses on the unique capabilities of documentary film to address themes of memory and trauma, examining how factual storytelling can evoke emotional and psychological responses. Papers should consider the ethical implications of representing real-life experiences.

SDG 3 SDG 16

07 Film Theory and Trauma Studies +

This track invites critical engagement with film theory in the context of trauma studies, exploring how theoretical frameworks can enhance our understanding of cinematic representations of trauma. Scholars are encouraged to propose innovative theoretical approaches to film analysis.

SDG 4 SDG 16

08 Narrative Analysis of Trauma in Cinema +

This session emphasizes narrative analysis as a tool for understanding the complexities of trauma representation in film. Participants are invited to dissect narrative structures and their effectiveness in conveying traumatic experiences.

SDG 3 SDG 16

09 Social Trauma and Cinematic Discourse +

This track examines the intersection of social trauma and cinematic discourse, focusing on how films reflect and shape societal responses to collective trauma. Contributions may include analyses of specific films that address social issues through a trauma lens.

SDG 3 SDG 16

10 Audience Studies in Film and Memory +

This session explores the role of audience studies in understanding the reception of films that deal with memory and trauma. Researchers are encouraged to investigate how different demographics interpret and engage with these films.

SDG 4 SDG 10

11 The Role of Genre in Memory and Trauma Representation +

This track investigates how different film genres approach themes of memory and trauma, considering the conventions and expectations that shape audience experiences. Papers may analyze genre-specific techniques and their impact on narrative delivery.

SDG 4 SDG 11