International Conference on

Recent Tends in Film Studies (ICRTFS-26)

Conference Date

20th Oct - 21st Oct 2026

Conference Venue

Zhongshan, China

Conference Mode

Hybrid Conference
Proudly organized by:- Science Leagues

"Join global experts in Recent Tends in Film Studies"

Registration Options

View all registration categories and choose the best fit.

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3
SDG 3 Good Health and Well-being
SDG 4
SDG 4 Quality Education
SDG 5
SDG 5 Gender Equality
SDG 8
SDG 8 Decent Work and Economic Growth
SDG 9
SDG 9 Industry, Innovation and Infrastructure
SDG 10
SDG 10 Reduced Inequalities
SDG 11
SDG 11 Sustainable Cities and Communities
Track 01

Cinema Studies: Theoretical Frameworks

This track invites papers that explore various theoretical frameworks within cinema studies, including structuralism, post-structuralism, and psychoanalysis. Participants will engage with how these theories shape our understanding of film texts and their cultural implications.

Track 02

Film Festivals: Platforms for Innovation

This session focuses on the role of major film festivals in promoting new cinematic voices and trends. Papers will examine how these festivals influence the film industry and shape public discourse around cinema.

Track 03

The Art of Filmmaking: Perspectives from Industry Professionals

This track seeks contributions from filmmakers, screenwriters, and editors discussing their creative processes and challenges. It aims to provide insights into the collaborative nature of filmmaking and the impact of industry practices on artistic expression.

Track 04

Television Studies: Historical and Cultural Contexts

This session will explore the evolution of television as a medium and its cultural significance. Papers may address historical developments, genre innovations, and the interplay between television and film.

Track 05

Adaptation: From Page to Screen

This track invites discussions on the complexities of adapting literary works into film. Participants will analyze the challenges and creative decisions involved in the adaptation process, considering fidelity, interpretation, and audience reception.

Track 06

Costume Design: Aesthetic and Narrative Functions

This session will examine the role of costume design in film and its contribution to character development and narrative construction. Papers will explore how visual aesthetics influence audience perception and engagement.

Track 07

Horror and Sci-Fi: Genre Innovations and Cultural Reflections

This track focuses on the horror and science fiction genres, analyzing their evolution and cultural significance. Participants will discuss how these genres reflect societal anxieties and push the boundaries of cinematic storytelling.

Track 08

Surrealism in Cinema: Aesthetic and Philosophical Explorations

This session invites papers that investigate the influence of surrealism on cinematic practices and narratives. Discussions will center on how surrealist techniques challenge conventional storytelling and viewer expectations.

Track 09

National Cinemas: Identity and Representation

This track will explore the concept of national cinemas and their role in shaping cultural identity and representation. Papers may address how filmmakers navigate issues of geography, gender, and socioeconomic status within their national contexts.

Track 10

The Evolution of American Film: 1960s and 70s

This session will focus on the transformative period of American cinema during the 1960s and 70s. Participants will analyze key films, movements, and the socio-political context that influenced this era.

Track 11

Digital Media and the Future of Film

This track examines the impact of digital media on film production, distribution, and exhibition. Papers will discuss the implications of technological advancements for the future of cinema and its relationship with traditional media forms.