International Conference on

Digital Humanities and Sound Studies (ICDHSS-26)

Conference Date

31st Aug - 1st Sep 2026

Conference Venue

Perth, Australia

Conference Mode

Hybrid Conference
Proudly organized by:- Science Leagues

"Join global experts in Digital Humanities and Sound Studies"

Registration Options

View all registration categories and choose the best fit.

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 4
SDG 4 Quality Education
SDG 9
SDG 9 Industry, Innovation and Infrastructure
SDG 10
SDG 10 Reduced Inequalities
SDG 11
SDG 11 Sustainable Cities and Communities
SDG 12
SDG 12 Responsible Consumption and Production
SDG 16
SDG 16 Peace, Justice and Strong Institutions
SDG 17
SDG 17 Partnerships for the Goals
Track 01

Digital Archives and Music Heritage

This track explores the role of digital archives in preserving and promoting music heritage. It invites discussions on innovative methods for curating and accessing historical sound recordings.

Track 02

Sonic Data and Cultural Analytics

Focusing on the intersection of sonic data and cultural analytics, this track examines how data-driven approaches can enhance our understanding of music and sound within cultural contexts. Contributions may include case studies and theoretical frameworks that highlight the implications of sound data analysis.

Track 03

Interdisciplinary Approaches to Sound Studies

This session encourages interdisciplinary research that bridges sound studies with other fields within the humanities and social sciences. Participants are invited to present collaborative projects that highlight the multifaceted nature of sound in cultural expressions.

Track 04

Innovations in Sound Technology

This track showcases cutting-edge technologies that are transforming the landscape of sound studies and music production. Papers may address advancements in audio digitization, sound mapping, and interactive technologies.

Track 05

Cultural Heritage and Sound Documentation

Exploring the significance of sound documentation in preserving cultural heritage, this track invites contributions that discuss methodologies and ethical considerations in documenting musical traditions. Case studies that illustrate successful documentation projects are particularly welcome.

Track 06

Music Informatics and Computational Humanities

This session focuses on the application of informatics and computational methods to the study of music. Researchers are encouraged to share their findings on how computational tools can facilitate new insights into musical patterns and trends.

Track 07

Digital Curation of Sound Artifacts

This track addresses the challenges and best practices in the digital curation of sound artifacts. Participants will discuss strategies for ensuring accessibility and sustainability of sound collections in digital environments.

Track 08

Sound Mapping and Spatial Analysis

Focusing on the spatial dimensions of sound, this session invites papers that explore sound mapping techniques and their implications for understanding cultural landscapes. Contributions may include theoretical discussions as well as practical applications in various contexts.

Track 09

Multimodal Studies in Music and Sound

This track emphasizes the importance of multimodal approaches in the study of music and sound. Participants are encouraged to explore how integrating various media can enrich our understanding of auditory experiences.

Track 10

Media Humanities and Sonic Narratives

This session investigates the role of sound in media humanities, focusing on how sonic narratives shape cultural discourse. Papers may analyze the interplay between sound and visual media in contemporary contexts.

Track 11

Interactive Technologies in Sound Studies

This track explores the impact of interactive technologies on sound studies and music engagement. Researchers are invited to present innovative projects that utilize interactive platforms to enhance audience participation and experience.